hat was all the scene-setting that Samuel Beckett provided in his classic tragi-comedy "Waiting for Godot." But in Beckett's conspicuous lack of stage direction, the Classical Theatre of Harlem saw opportunity for a statement-making production.
The company envisioned that tree and country road smack in the heart of New Orleans, a place where waiting -- for attention, for help -- was part of everyday existence long after Hurricane Katrina ravaged the city in 2005.
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By Lavanya Ramanathan
Washington Post Staff Writer
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